Search The Collection

Filter By

Object Type / Material

Geographic Location

Date / Era

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 66 results for Philippe Thomassin

Sort By:

The Entombment
Philippe Thomassin
1589

Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin
1608

Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Philippe Thomassin
1611–12

The Virgin in glory standing on a cloud surrounded by her attributes, after Barocci

Philippe Thomassin

1591

Dance of the Muses, with Apollo at center and a musician at each end

Philippe Thomassin

1615

Design for an Ornamental Bowl with the Battle of the Triton and the arms of Joannes Vitiello

Philippe Thomassin

ca. 1617–19

The victory of Scipio over Syphax
Master of the Die
1530–60

The Triumph of Scipio who rides on a horse followed by captured slaves
Master of the Die
1530–60

Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left
Master of the Die
1530–60

A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90

A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90

A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90

The Rape of Ganymede
Anonymous
1542–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
1530–60

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left
Master of the Die
1530–60

Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Master of the Die
1530–60

The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left
Master of the Die
1530–60

Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left
Master of the Die
1530–60

Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata"
Anonymous, Italian, 16th century
published ca. 1599–1622

Hercules and Cerberus, from "Ex Antiquis Cameorum et Gemmae Delineata"
Anonymous, Italian, 16th century
published ca. 1599–1622

Figure on Seagoat; Man Carving Wing, from "Ex Antiquis Cameorum et Gemmae Delineata"
Anonymous, Italian, 16th century
published ca. 1599–1622

Figure with Pig and Serpent, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622

Man and Woman Sacrificing a Goat, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622

Man Playing Two Flutes and Woman on Lionskin, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622

Woman on Rearing Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622

A Woman and Man Sacrificing in the Presence of Cupid, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622

A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622

Man with Torch at Temple Door, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622